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Ehrismann Residence: Yamate Life & Raymond’s Design

Ehrismann Residence: Yamate Life & Raymond’s Design
Explore Ehrismann Residence in Yokohama’s Motomachi Park, tracing Antonin Raymond’s functional design, recreated interiors, reconstruction and Yamate life.

Highlights

The Appeal of Ehrismann Residence

Ehrismann Residence is a recreated Western-style house in Yokohama's Motomachi Park, where visitors can tour the private home of silk trader Ehrismann and appreciate Raymond's functional aesthetic.

Functional Beauty of the White Exterior

The shadows created by clapboard siding on the upper floor and vertical paneling on the lower floor, the horizontally extending eaves, double-hung windows, and shutters reveal the ingenuity of the design.

How to Get There

It is about an 8-minute walk from Exit 6 of Motomachi-Chukagai Station on the Minatomirai Line; the route continues along Yamate's slopes, and there is no dedicated parking lot.

Visitor Etiquette

Before visiting, check the opening hours, closing days, temporary changes, and photography rules. Inside, change into slippers, do not touch the furniture or decorations, and tour quietly.

History of the Building

Ehrismann Residence was built at 127 Yamatecho in 1925–1926, dismantled in 1982, and recreated in Motomachi Park in 1990.

First-Floor Living Spaces

A reception room with a fireplace, a living and dining room with large windows, and a sunroom opening onto the garden stand side by side, allowing visitors to trace the flow of daily life.

Second-Floor Exhibits

The second floor, once home to three bedrooms, is now used for exhibits introducing Yamate's Western-style houses.

For the latest information, please refer to official announcements or check on site.

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Ehrismann Residence: A Yamate Western-Style House Recreated in Motomachi Park

Surrounded by the greenery of Motomachi Park in Yokohama, Ehrismann Residence is a relocated reconstruction of the private home of Fritz Ehrismann, who worked in the raw silk trade. It offers a look at both modern ideas about housing and everyday life in Yamate.

Because Ehrismann Residence was not newly built at its current site, visitors can distinguish between the elements inherited for preservation and those used today as part of a public facility.

Rather than viewing it simply as an “old Western-style house,” divide your visit into 4 contexts: Yokohama’s prosperity through overseas trade, homes in the foreign settlement, experiments by a modern architect, and preservation through reconstruction. This makes the meaning of its details easier to understand.

Learn About the Home’s Owner

Fritz Ehrismann, the Swiss-born owner of the residence, served as the Yokohama branch manager of the raw silk trading company Sieber Hegner. His story reflects the commercial history that connected Yokohama with overseas markets after the port opened.

Focus on Architect Antonin Raymond

Architect Antonin Raymond pursued modern architecture that expressed structure and practicality instead of adding decoration. At Ehrismann Residence, you can see this simplicity shaped around daily life in the building’s details.

See It as 1 of the Yokohama Yamate Western-Style Houses

Yamate has 7 Western-style houses open to the public, built in different periods and designed by different architects. Compare Ehrismann Residence with nearby buildings—their exterior walls, windows, and interior layouts—to appreciate the range of residential architecture.

Trace the Timeline From Construction to Demolition and Reconstruction

Ehrismann Residence was built at 127 Yamate-chō from 1925 to 1926, later demolished, and reconstructed at its current location in Motomachi Park in 1990. Its original construction and present public setting are therefore separated by both time and place.

Instead of merely memorizing dates, organize the story into 3 stages: the period when it served as a private home, the time after the building was lost, and its present reconstruction based on records and surviving materials. This makes the meaning of preservation easier to grasp.

Comparing the original and current sites on a map reveals more than the distance the building was moved to Motomachi Park. It also shows how its role changed from a private residence into a public place for learning.

Period Event What to Notice During Your Visit
1925–1926 Residence built at 127 Yamate-chō Imagine the layout and design as a private home
When first built 2-story wooden house with an adjoining Japanese-style wing Consider a way of life that extended beyond the Western-style house
1982 Demolished for apartment construction Understand how the building was lost before preservation
1990 Reconstructed at its current site in Motomachi Park Distinguish the original location from the present site

Imagine Its Original Form

When first built, it was a 2-story wooden structure with an adjoining Japanese-style wing and a building area of about 81 tsubo. Imagine the living spaces behind the Western-style section seen today, where Japanese and Western rooms were used for different purposes.

Recognize That the Building Was Demolished

The 1982 demolition means this is not a building that survived continuously on its original site. Do not assume the space before you is exactly as it was when built; also consider the evidence used for the reconstruction and the elements that were lost.

Read the Reconstruction at Its Current Site

The current location corresponds to lot 81 of the former Yamate foreign settlement. Here, park trees, the slope, and the white exterior form a new relationship, so view the surrounding landscape—not only the building itself—as part of its preservation and continued use.

Treat It as a Yokohama-Certified Historic Building

A house open to the public can feel familiar, but it remains a historic building. Avoid casually touching floors, furniture, or decorations, and share the quiet, residential-scale space with other visitors.

Observe the Functional Beauty of the White Exterior

The exterior combines the design of a Western-style home with elements of wooden modernism. Instead of searching for conspicuous ornament, look at the shapes and placement of components that respond to rain, light, ventilation, and views to better understand the architect’s intentions.

Light and shadow change with your viewpoint and the weather. Do not stop at the front; view the house from the park side as well and note how the direction of the siding, depth of the eaves, and recessed windows create rhythm across the elevations.

Element Visible Feature How to Interpret It
Exterior walls Clapboard siding upstairs and vertical board siding downstairs Observe the shadows created by the different siding directions
Eaves Composition emphasizing horizontal lines See how it makes the building appear low and expansive
Windows Double-hung windows and shutters Consider approaches to daylight, ventilation, and sunlight
Roof Slate roofing and dormer windows Compare the slope with the way light enters the interior
Outdoor elements Chimney and balcony See how interior functions appear in the exterior form

Watch the Direction of the Siding and Its Shadows

The white walls are not uniform surfaces. Lines shift between the clapboard siding upstairs and vertical board siding downstairs, so step back and observe how light and shadow give each floor a different expression.

Follow the Rhythm of Horizontal Lines and Windows

When you view the deep horizontal eaves, double-hung windows, and shutters as one continuous composition, you can see that the orderly exterior is not merely decorative but connected to interior brightness and responses to the climate.

Read the Flow of Daily Life Through the 1st-Floor Rooms

The 1st floor includes a reception room with a fireplace, a combined living and dining room, and a sunroom overlooking the garden. Walking through them reveals connections among a place for receiving guests, a place for family meals, and a place that brings in light.

Do more than pause in each room. Notice how the next space appears through a doorway and which direction the greenery enters your view through the windows to discover techniques that create depth within a small home.

Room sizes and furniture arrangements gently separate and connect guests and family, dining and rest, and views of the garden. The number of steps from the entrance to the windows and the lines of sight through the rooms are also worth observing.

Notice the Reception Room’s Simple Details

In the reception room, focus on details such as the shelf below the window and the deliberately exposed heads of brass nails. See how an expression that does not completely conceal materials or joints creates a simple modern atmosphere without extravagance.

View the Dining Room Windows and Furniture Together

The dining room’s large double-hung windows bring the outdoor scenery inside. Viewed together with reconstructed furniture designed by Raymond, they evoke a way of life in which architecture and furnishings were planned as one.

See How the Sunroom Responds to Japan’s Climate

The high-ceilinged sunroom was created to suit Japan’s climate. Compare its original-period lighting with the light from the garden and consider how brightness and comfort were shaped.

Expand Your View of Yamate Through the 2nd-Floor Displays and Park Scenery

The 2nd floor, once home to 3 bedrooms, now displays materials introducing Yamate’s Western-style houses. Photos and drawings can expand the architectural impressions gained downstairs into the history of the wider district.

The 2nd-floor displays do not reproduce the original bedrooms exactly. Distinguish the content of the materials from the rooms’ modern use as exhibition spaces, and treat them as clues for imagining the former living areas.

Keep the Change From Bedroom to Gallery in Mind

Do not let the present galleries obscure their original purpose. Overlay the period when they were furnished bedrooms with today’s experience of reading public displays to understand one way a residence can be reused as a cultural facility.

Treat the View From the Windows as Part of the Exhibit

Shift your gaze through the broad windows toward the greenery of Motomachi Park and the surrounding streetscape. Enjoy, as a continuation of the indoor displays, the new relationship between the reconstructed building, the park, and views of Yokohama.

Plan Your Visit and Walk Around the Neighborhood

The interior retains the scale of a residence and has limited passage space. During busy periods, make room for others and proceed at a relaxed pace through the exterior, each room, the 2nd-floor displays, and the park, while checking opening information and events in advance.

Opening hours, closing days, the café, events, and private-use arrangements may change. Do not plan from fixed information in the article alone; review the website’s home page and facility overview immediately before your visit.

What to Check Before Departure At the Site
Opening information Check opening hours, closing days, and temporary changes Reread notices at the entrance
Transportation Check routes from stations and bus stops Allow for hills and walk without rushing
Inside the house Check photography and visitor rules Change into slippers and do not touch the furniture
Nearby area Check Motomachi Park and nearby Western-style houses on a map Narrow your stops according to your remaining energy

Plan for Public Transportation and Hills

Routes from nearby Motomachi-Chūkagai Station and the Motomachi Kōen-mae bus stop include the elevation changes typical of Yamate. Choose comfortable walking shoes and plan your transportation with the lack of a dedicated parking lot in mind.

The residence is about an 8-minute walk from Exit 6 of Motomachi-Chūkagai Station on the Minatomirai Line.

Observe the Space Before Taking Photos

Indoor photography is intended for simple commemorative photos, and visitors are asked to refrain from tripods, selfie sticks and similar equipment, prolonged occupation of a spot, video recording, and close-up photography. Examine details with your own eyes first, then record them without obstructing passage.

Choose a Basis for Comparing Nearby Western-Style Houses

If you continue to nearby buildings around Motomachi Park, such as Berrick Hall or Yamate 234 House, choose 1 basis for comparison—construction year, architect, original owner, exterior walls, or windows—to turn the walk into a lesson in architectural history.

Summary of a Visit to Ehrismann Residence

At Ehrismann Residence, follow Raymond’s simple design, white siding and horizontal eaves, first-floor rooms shaped around daily life, and second-floor historical displays. By remembering its reconstruction in Motomachi Park after demolition and observing visitor etiquette, you can understand Yamate’s residential culture through both the building and its landscape.

Frequently Asked Questions

A. The Ehrismann Residence was the home of Fritz Ehrismann, the Yokohama manager of the raw silk trading company Siber Hegner. It was built in 1925–1926 and designed by Czech-born architect Antonin Raymond. Its distinctive features include Western-style residential details and elements of wooden modernism, such as white clapboard siding, sash windows, shutters, and eaves that emphasize horizontal lines.
A. Antonin Raymond was a Czech-born architect who came to Japan for the construction of the Imperial Hotel and left a major mark on modern Japanese architecture. At the Ehrismann Residence, his pursuit of functional beauty and simple modern design can be seen in details such as the shelf beneath the reception-room windows and decorations that deliberately expose the heads of brass nails.
A. It was built at 127 Yamate-cho in 1925–1926, dismantled in 1982 to make way for an apartment building, and reconstructed at its current site in Motomachi Park in 1990. The present site is Lot 81 of the former Yamate foreign settlement and differs from the original location. Its transition from a private home to a public facility is also worth noting.
A. When originally built, it was a two-story wooden house with an attached Japanese-style wing and a building area of about 81 tsubo. The Western-style house was reconstructed at the current site in 1990, and visitors can see the reception room, combined living and dining room, and sunroom on the first floor, as well as exhibits on the second floor. Keeping in mind that this is not the original building preserved unchanged on its original site makes the history of its preservation and reconstruction easier to understand.
A. It is open from 9:30 a.m. to 5:00 p.m., and admission is free. It is closed on the second Wednesday of each month—or the following day if that Wednesday is a holiday—and from December 29 to January 3. As opening hours and photography conditions may change for events and other reasons, check the official website for same-day information before visiting.
A. It is an eight-minute walk from Exit 6 (America-yama Park Exit) of Motomachi-Chukagai Station on the Minatomirai Line. From Sakuragicho Station on the JR or municipal subway, take Kanagawa Chuo Kotsu Bus Route 11 to Motomachi Koen-mae; the residence is just a short walk from the stop. There is no dedicated parking lot, so use public transportation or a nearby parking facility.
A. No official recommended duration is provided for the Ehrismann Residence alone. The official FAQ for the Yokohama Yamate Western-style houses suggests about 30 minutes to one hour for two or three houses and about two to three hours for all seven. Allow enough time at the Ehrismann Residence depending on whether you plan to see the first-floor living spaces and second-floor exhibits, take photographs, or use the café.
A. Inside the residence, you may take casual commemorative photographs as long as you do not disturb other visitors. Equipment such as tripods, reflectors, and selfie sticks is not permitted, nor are occupying one place for a long time, filming video or close-ups, or obstructing passageways while shooting. Commercial photography or photography that occupies a space requires advance permission.

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